SAMPLES

Real output. Zero retouching.

Everything below came straight out of the product — the same buttons you'll click. Judge the edges yourself, then try your own image; the free tools run entirely in your browser.

Garden path, subject removed in one click

Garden path, subject removed in one click — before
Original — subject on a flower-lined path
Garden path, subject removed in one click — after
Fill behind (2 cr): path and garden continue

Flowers on both sides, a cabin, mountains — and the fill engine rebuilds the path and garden seamlessly where the subject stood. Full resolution, no invented objects, straight from the editor. Test scene generated for this demo.

The same subject, lifted with soft edges

The same subject, lifted with soft edges — before
Original
The same subject, lifted with soft edges — after
Subject layer (server · 1 cr)

Hair against foliage, thin straps, a translucent sarong edge — the subject layer from the same one-click separation.

The gauntlet — flowing hair against a busy forest

The gauntlet — flowing hair against a busy forest — before
Complex scene: subject, flowers, path, cabin, mountains
The gauntlet — flowing hair against a busy forest — after
Subject layer — wavy hair separated from trees

The hardest everyday case: loose hair against a detailed forest, thin dress straps, flowers crowding the subject. One click of Separate subject (server · 1 cr). Test scene generated for this demo.

The same scene, subject removed entirely

The same scene, subject removed entirely — before
With subject
The same scene, subject removed entirely — after
Background rebuilt (fill + HD refine)

Meadow, path, and forest continue where the subject stood — one click of Fill behind (2 cr) on our new fill engine. No invented objects, full resolution. This is the layered file's background layer, straight from the editor.

The 4K text gauntlet — a finished ad, un-designed

The 4K text gauntlet — a finished ad, un-designed — before
2160×3840 ad: 9 lines of copy over glass, flowers, reflections · click for full 4K
The 4K text gauntlet — a finished ad, un-designed — after
ALL text removed — copy, badge, monogram, even the bottle label · click for full 4K

Don't take our word for it — the actual exported files, straight from the editor: Layered .psd (29 MB)·Flattened .png (14 MB)

Metallic display type with glow, six sizes of copy, a translucent bottle in same-tone flowers — and this result was made BY HAND with the exact tools you get: rectangle-select each text block, Lift, HD fill behind, one block at a time, about twenty minutes end to end. Nothing typographic survives, including the label printed on the curved glass, and every removed element still exists as its own layer in the PSD below. Test ad generated for this demo.

The same lift at 100% zoom — find the seam

The same lift at 100% zoom — find the seam — before
Native-resolution crop: three sizes of glowing type
The same lift at 100% zoom — find the seam — after
After the one-pass erase — no ghosts, no smudge

The honest test of a text erase is 100% zoom on a dark gradient, where every leftover halo shows. The fill mask scales with the type size, so the glow around each glyph goes with it.

Text extraction — every line back as editable type, in its font

Text extraction — every line back as editable type, in its font — before
The finished ad — text baked into the pixels
Text extraction — every line back as editable type, in its font — after
Each line lifted to its own editable text layer, font recognized

Deep text scan reads every line, a dedicated font model recognizes the typeface, and each line comes back as a real editable text layer rendered in the matched Google Font — shown here on a transparent checkerboard so you can see they are separate, movable layers, not a flattened picture. Edit the words right in the editor (same font kept) or in Photoshop; the PSD carries live type layers. Fonts the model can't place confidently fall back to a clean default rather than guessing wrong. Real output from this ad.

Auto-detect — one photo, five named layers, empty scene

Auto-detect — one photo, five named layers, empty scene — before
Driveway scene: car, two people, planter
Auto-detect — one photo, five named layers, empty scene — after
Car, shadow, and people all removed — scene rebuilt

Auto-detect objects (server · 1 cr) lifts every object onto its own named layer — Car, Person, Person 2, Potted plant, Background. Then the fill engine rebuilt the scene behind each removal: driveway, hedge, steps, and the doorway itself. The layered PSD keeps every object, so this is a visibility toggle, not a deletion. Test scene generated for this demo.

The same driveway, car removed — shadow and all

The same driveway, car removed — shadow and all — before
Car parked across the driveway
The same driveway, car removed — shadow and all — after
Fill behind: concrete, hedge, and steps continue

A car is the worst case for removal: it is huge, it casts a hard shadow, and the concrete texture behind it has to continue without a seam. Fill behind (2 cr) rebuilt the driveway, the hedge line, and the porch steps — including where the cast shadow fell.

Reflective black paint, cut clean

Reflective black paint, cut clean — before
Black car reflecting trees and house
Reflective black paint, cut clean — after
Car layer — mirrors, glass, and wheel arches intact

Glossy black paint reflects the whole scene, which fools edge detectors. Separate subject (server · 1 cr) kept the wing mirrors, the glass, and the shadow line under the sills.

Transparent glass on a same-color background

Transparent glass on a same-color background — before
Pink glass bottle on a pink set
Transparent glass on a same-color background — after
Product layer — the glass stays translucent

A pink translucent bottle photographed on a pink background: almost no edge contrast, and the glass shows the backdrop through it. This is the cutout straight from the editor — ready to drop onto any e-commerce background. Test product generated for this demo.

Subject separation — fine hair, real edges

Subject separation — fine hair, real edges — before
Flat photo in
Subject separation — fine hair, real edges — after
Subject layer out

One click on the subject. Individual hair strands and the frayed scarf edge survive the cut — this is the server model (1 credit); the free in-browser model is one notch behind it.

The hard case — black dog, dark floor

The hard case — black dog, dark floor — before
Low contrast original
The hard case — black dog, dark floor — after
Clean cutout, whiskers intact

Low-contrast subjects are where background removers usually fall apart. The mask keeps the whiskers.

Object-sized fills are seamless

Object-sized fills are seamless — before
Before — the puppy fills half the frame
Object-sized fills are seamless — after
After — planks continuous, no trace

A whole puppy — 51% of the frame — lifted out, and the wood-plank floor rebuilds across the hole: grain, knots and plank seams all continuous, no ghost. The fast local model roughs in the fill for free, then one HD pass polishes it seamless. Real output from the editor.

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