films without the plug-in

A T-Seps alternative that needs neither Photoshop nor English

* Free to use — the editor runs in your browser, and nothing is uploaded unless you start a server step: the AI tools, or upscaling a photograph (logos and flat artwork are enlarged on your device). A free account (Google, Apple or an emailed code — no card) is needed to download the finished file, and comes with credits for the server-side tools.

T-Seps comes from Scott Fresener, a name that has been in screen printing for decades, and its best-known convenience is producing printable films from inside Photoshop with no separate RIP. We match the film output. What we do not require is the thing underneath it: T-Seps 4.0 is a plug-in that runs in Photoshop, and the vendor states it works only on an English version of Photoshop. This runs in any browser, in any language.

Try a separation free

What T-Seps is, as its vendor describes it

T-Seps is published by T-Biz Network International, founded by Scott Fresener — t-seps.com now redirects to t-biznetwork.com. When we checked on 28 July 2026, T-Seps 4.0 was listed at $345, reduced from $395, as a one-time purchase, with the store page stating it can be installed on up to four computers (an older FAQ page still says two, so confirm with the vendor). It is a Photoshop plug-in: the vendor states it works on Mac and Windows inside Photoshop, with T-Seps 4.0 for versions after CS6, and notes that 4.0 is English-only and works only on an English version of Photoshop. Activation is by emailing a request code to the vendor; there is no dongle. The vendor advertises spot, simulated process, index, CMYK and monochrome separation, a built-in halftone routine that outputs films without a separate RIP, a job proof module, mesh count and print order recommendations, and a 20-day fully functioning free trial with no credit card required. Verify current details with the vendor.

Where T-Seps is likely the better choice

The built-in halftone routine is a genuine convenience — it produces printable films from inside Photoshop without a separate RIP, which for a small shop is one fewer piece of software to buy and learn. The job proof module, mesh recommendations and print order guidance encode decades of practical printing experience rather than just image maths. If you already live in Photoshop and want your separations produced in the panel next to everything else, a plug-in is the right ergonomics. And one payment, four machines, no recurring bill is a straightforwardly appealing deal.

Where this is genuinely different

No Photoshop requirement and no install at all — it is a browser tab, which matters if your art station is old, if you do not carry a Photoshop subscription, or if the machine that needs to separate is not the machine with the licence on it. No language restriction. Spot and index separation are free permanently rather than for 20 days, and they run entirely client-side, so your artwork makes no network call — verifiable in the browser's network tab, not a promise. And the free output includes both PSDs alongside the plate files: a real layered PSD, and a multichannel PSD with true Photoshop spot channels carrying their ink colours and names. That last one is a paid-tier feature almost everywhere else in this category.

The cost comparison, plainly

T-Seps was $345 one-time when we checked, plus whatever Photoshop costs you. Here, spot and index separation are free with no time limit, and the print-ready render — halftones at non-moiré angles, choked underbase, separate highlight white, choke and spread, trapping, dot gain, registration marks, vector plates, CMYK and simulated process — is 10 credits per image with free re-renders of that image for 24 hours. The multichannel PSD with real spot channels sits on the free side, written in the browser. Plans are monthly, and there is a one-off pack whose credits never expire — see the pricing page for current prices in your currency. A one-time purchase pays for itself against a monthly plan eventually; where that crossover sits depends on how much you separate, and if you separate every day it is not that far away.

Both of us make you drive simulated process

T-Seps, UltraSeps, Separation Studio, the AI-branded browser services and this all keep manual channel control on simulated process, and that is not a coincidence — automatic sim-process is unreliable everywhere. We ship the per-channel curve and density override in the same release as the automatic pass and put it on the marketing page rather than in an advanced tab. If your main reason to switch tools is hoping for a one-click sim-process that just works, no vendor in this category can honestly sell you one.

What we do not have

No built-in RIP or direct-print path — we output grayscale plates, 1-bit film, PSD, multichannel PSD and SVG, and your workflow continues from there. No mesh count or print order recommendations, and no decades of accumulated shop knowledge baked into presets. No Photoshop panel. What we do have: nothing to install, nothing to activate, no watermarks on any tier ever, a free half that never expires, and a separation that can run without your customer's artwork leaving the building.

Frequently asked

Does T-Seps really only work on English Photoshop?

That is what the vendor states for T-Seps 4.0 — English-only, and working only on an English version of Photoshop. If your shop runs Photoshop in another language, that is a hard blocker rather than an inconvenience, and it is the single most specific reason someone lands on this page. There is no language requirement here: the tool is a web page, and nothing about the separation depends on your Photoshop locale because there is no Photoshop involved.

Can it output halftone films without a RIP, the way T-Seps does?

Yes — that is the T-Seps convenience we deliberately match. The paid render outputs pre-halftoned 1-bit plates at 600 or 1200 dpi with your chosen frequency, dot shape and angle set, which is what you want when you are printing film to an inkjet or laser through a plain driver. It also outputs continuous-tone greyscale plates, which is what you want if you do have a RIP, because a RIP re-screening your dots moirés against your own artwork.

Do you have the mesh and print-order recommendations T-Seps gives?

Not as built-in advice, and that is a real gap. Their mesh count and print order recommendations and their job proof module encode decades of practical printing experience rather than just image maths. Here you get a print order in the manifest and in the PSD layer and channel order, which you can override, and guidance written into our pages rather than into the tool. If you want the software to tell you which mesh to use, theirs does and ours does not.

How many machines can I use it on?

Any number, since there is nothing to install or activate — a browser on the art station, the front counter and your laptop are all the same thing. T-Seps was listed at $345 one-time (reduced from $395) when we checked on 28 July 2026, with the store page stating installation on up to four computers, though an older vendor FAQ page still says two, so confirm with them. Activation is by emailing a request code; there is no dongle.

Which separation types does it support?

Spot, index, CMYK and simulated process — the same list T-Seps advertises, minus their monochrome mode. Spot and index are free and run in your browser; CMYK and simulated process run server-side at 10 credits per image with free re-renders of that image for 24 hours. Simulated process ships with per-channel curve and density override in both products, because neither is a one-button answer.

Is there a trial limit?

There is no trial at all here, which is a different offer from theirs rather than a better-sounding version of it. T-Seps offers a 20-day fully functioning trial with no credit card — genuinely generous. Our free half is permanent: spot and index separation, ink editing, preview, PNG/ZIP/ORA export, and no clock; the PSD itself needs a free account and is one a day. Nothing is watermarked at any tier in either product.

Keep reading

Free online color separationUltraSeps alternativeSeparation Studio alternativeHalftones: lpi, angles, film output

Related

Color separation services charge per design. Your everyday jobs do not have to.How to separate colors in Photoshop for screen printingTurn a flat image into a PSD with real layersSplit any image into separate, editable layersSplit an image into layers — by object, or by colorTurn any image into a layered .ora for GIMP and KritaA layered PSD that keeps your full resolutionRebuild flat artwork into a print-ready layered PSD